7 Variations WoO 46 - Cello

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The following is a list of Beethoven's works, sorted by Opus number , followed by works listed as WoO in the Kinsky—Halm Catalogue, and then works listed in the appendix of that catalog, which are given "Anhang" numbers. These are followed by additional works with Hess numbers listed in the catalog of Willy Hess that are not otherwise listed in the Kinsky—Halm Catalogue. Lastly there is works with Biamonti numbers Bia.

The opus numbers were assigned by publishers to Beethoven's works as they were published. The opus numbers do not include all works that were published in Beethoven's lifetime nor are they in chronological order. For instance, the Octet Op. The numbers and categories used below are from the Kinsky—Halm Catalogue of Unlike with opus numbers which were assigned depending on when the works were published, WoO numbers were assigned by genre.


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These are works from the Appendix Anhang in German of Kinsky's catalog that were attributed to Beethoven at the time the catalog was compiled, but might not have been written by him. These works have numbers that were assigned by Willy Hess in his catalogue of Beethoven's works [41]. Many of the works in the Hess catalog also have WoO or Unv. These are works included in the appendix of Hess's catalogue that might not be genuine works by Beethoven [42].

The Italian musicologist Giovanni Biamonti compiled a chronological catalogue Beethoven's entire output known at the time, including sketches and fragments. While most of these works were already included in other catalogues, there were some that had been missed by earlier compilers [43].


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  4. This list does not include works with opus, WoO or Hess numbers, nor does it include sketches. From Wikipedia, the free encyclopedia. This article does not cite any sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. This article is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic. Please help improve it by rewriting it in an encyclopedic style.

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    When eve's last rays No riches from his scanty store The British Light Dragoons Since greybeards inform us I dream'd I lay where flow'rs were springing Sad and luckless was the season O soothe me, my lyre Norah of Balamagairy The kiss, dear maid, thy lip has left Oh! Music, Love and Wine Sunset Oh! When my hero in court appears Non, non, Collette n'est point trompeuse Mark yonder pomp of costly fashion Bonnie wee thing From thee, Eliza, I must go Text unidentified.

    See also: Catalogues of Beethoven compositions. Performed by the U. Marine Band. Performed by Kevin MacLeod. Fugue arranged for string quintet, H Arrangement of Bach's fugue. Classical music portal. Beethoven-Haus Bonn. Retrieved 27 May Retrieved 19 May Henle Verlag. Retrieved 29 May Grove Music Dictionary.

    Retrieved 17 May Archived from the original on 3 February Retrieved 20 November Other sources vary in whether they describe individual pieces as bagatelles or by their tempo markings. Retrieved 23 May Retrieved 22 May MacArdle, Donald W. This work originally had the opus number 29 ; Cover of Beethoven "Op.

    Cunningham Francis Cunningham Retrieved 1 October Trio for two Violins and Viola in C major, Op. Unheard Beethoven. Retrieved 25 May The revision to the Kinsky catalogue rearranged the numbering of the Italian Part-Songs of WoO 99 and added a number of songs. This listing reflects the new numbering, with the old numbers shown where applicable.

    The Unheard Beethoven.

    Variations for cello & piano in E… | Details | AllMusic

    The Straights Times. New York Times. Retrieved 26 May Ludwig van Beethoven. Johann father Maria mother Johanna sister-in-law Kaspar brother Johann brother. List of compositions Category:Compositions. Categories : Compositions by Ludwig van Beethoven Lists of compositions by composer. Namespaces Article Talk. Views Read Edit View history. In other projects Wikimedia Commons. By using this site, you agree to the Terms of Use and Privacy Policy.

    Symphony No. Baron Gottfried van Swieten.

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    Prince Karl von Lichnowsky. Prince Franz Joseph von Lobkowitz. Count Franz von Oppersdorff. Prince Lobkowitz and Count Andreas Razumovsky. Count Moritz von Fries ;. Piano Concerto No.

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    Prince Louis Ferdinand of Prussia. Triple Concerto for violin, cello, and piano, C. Archduke Rudolph of Austria. Violin Concerto , D. Beethoven's arrangement of Opus 61 for piano , D. Romance for Violin and Orchestra No. Choral Fantasy , c. Maximilian Joseph, King of Bavaria ;. The Creatures of Prometheus. Heinrich Joseph von Collin. Wellington's Victory "Battle Symphony". Zur Namensfeier Feastday , C. String Quartet No. Nikolaus Zmeskall von Domanovecz. Opus 3: String Trio No. Serenade for string trio , "String Trio No. String Trio No. Count Johann Georg von Browne.

    String Quintet Storm [10] , C. String Quintet , c.

    Fugue for String Quintet , D. Sonatina for mandolin and piano , c.

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    Sonatina for mandolin and piano , C. Andante and Variations for mandolin and piano , D. Cello Sonata No. Friedrich Wilhelm II of Prussia. Variations for cello and piano on "See the counquering hero comes" from Handel's Judas Maccabaeus , G. Violin Sonata No. Alexander I, Tsar of Russia.

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    Bridgetower , ded. Rodolphe Kreutzer. Brahms composed the Cello Sonata No. Cellist Robert Hausmann joined Brahms in the first public performance in Vienna on November 24, The Allegro vivace bursts forth with a passionate, even heroic cello theme and tremolo accompaniment. A second, equally forceful melody does little to lessen the tension. Brahms turns to the unusual key of F-sharp major in his Adagio affettuoso ; this movement presents two expressive themes and occasional cello pizzicatos, an uncommon effect for the composer.

    The Allegro passionato , although not so entitled, is a scherzo in three parts. Unlike Schubert and Schumann, who raised the piano accompaniment to a level of poetic and dramatic expression equal to the voice, Mendelssohn generally preferred a direct, melodious text presentation with a subordinate keyboard part. In instances when the piano goes beyond a simple chordal function, Mendelssohn reinforced the emotional atmosphere instead of devising obvious musical characterization.

    Pure lyricism of this type transferred with ease to the Songs without Words for solo piano.

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